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Vocal Studies

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Overview

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The study programmes at the Department for Vocal Studies are tailored to the needs of singers in the 21st century, who can take on roles with demanding physical requirements and are also trained to work with colleagues, directors and conductors from all over the world. The renowned faculty inspires and encourages students to find their own voice and develop it at their own pace. Numerous opportunities to gain stage experience in the immediate vicinity of the Salzburg Festival round out the programme.

Schwarzstraße 26
5020 Salzburg

About

Voice training already played an important role when the Mozarteum was founded in 1841, and this is no different today. The expectations placed on today's singers, however, have changed considerably: in addition to excellent vocal and musical qualities, performing skills are also a must for successful singers. The study programme prepares students for the many realities of life as a singer.

In addition, the vocal pedagogy courses offer a practice-oriented, artistic, pedagogical and academic education. The interdisciplinary and diverse nature of these courses represents a contemporary preparation for a range of future professional fields in a changing professional world.

Courses

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News

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Media library

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© Christian Schneider
Video
Opera
10.2.2025
Christian Jost: Dichterliebe 
Video
Concert
21.11.2024
MOZClassic 
Video
Special
27.7.2024
Short Operetta: The Bat Bomb 
Video
Special
24.7.2024
Short Operetta Festival: Goldaustrudl oder Die Sch(t)rumpfende Stadt 
Video
Special
2.7.2024
Short Operetta Festival: L'écosystème humain? 
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Events

  • 8.3.2025
    06:00 pm
    Max Schlereth Saal
    Opera Out Of Opera
    Opera out of Opera: La Bohème
    "Opera out of opera - La Bohème" ist ein Projekt unter der Leitung von Mario Diaz, mit einem internationalen Ensemble aus Gesangs-, Szenografie- und Kostümbild-Studierenden. Das junge Regie-Team entwickelt dabei einen auf allen Ebenen neu gedachten Inszenierungs-Entwurf.
  • 25.3.2025
    04:30 pm
    Solitär
    Ami MIZUNO, Gesang
    bei Michèle Crider
    Graduate Concert
    · Free
  • 25.3.2025
    06:00 pm
    Wiener Saal
    "Ladies First"
    Mit Studierenden der Gesangsklasse von Christoph Strehl und Werken von Amy Beaçh, Mel Bonis, Margaret Bonds, Cécile Chaminade, Fanny Hensel, Clara Schumann, Rita Strohl, Barbara Strozzi und Pauline Viardot.
    Concert
    · Free
  • 25.3.2025
    08:00 pm
    Wiener Saal
    Harmonie der Heimat
    Eine Reise durch die ukrainische Klassik
    Concert
    · Free
  • 23.5.2025
    06:30 pm
    Kollegienkirche Salzburg
    Labyrinth der Sinne
    Im Rahmen von White Maze - Buchlabyrinth in der Kollegienkirche, von Marianne Ewaldt
    Performance
    · Free
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Opera productions

  • © Christian Schneider
    31.1.2025
    Christian Jost: Poet's love 

    Opera production
  • © Judith Buss
    15.12.2024
    Vincenzo Bellini: I Capuleti e i Montecchi 

    The performance of Vincenzo Bellini's opera I Capuleti e i Montecchi delivered a powerful reinterpretation of the masterpiece. Directed by Alexander von Pfeil, the production centred on the relentless feud between two rival clans and the profound despair of its victims. This staging transcended specific eras, placing the story in a universal, timeless setting that brought Bellini's dark vision of love and war to the stage with harrowing clarity.

    Opera production
  • © Judith Buss
    26.6.2024
    Wolfgang Amadé Mozart: Le nozze di Figaro 

    As a play, La Folle journée by the scandalous author Pierre Auguste Caron de Beaumarchais was banned in Vienna. However, Mozart and Da Ponte were able to suggest to Emperor Joseph II that the genre of opera would defuse the revolutionarily objectionable text and were thus commissioned to compose and write the libretto. The question of whether they did not in fact intensify the play in other ways is one that is posed anew in every production. With Le nozze di Figaro, Gernot Sahler and Alexander von Pfeil's opera class continued their Da Ponte cycle, which began with Così fan tutte in May 2023.

    Opera production
  • © Wolf Silveri
    20.5.2024
    Giuseppe Verdi: Falstaff 

    Sir John Falstaff is a natural phenomenon: his appearance is imposing, his demeanour commanding, his manner possessive. And most fascinating of all: the event does not care about rules, conventions or decorum, it simply exists for its own sake, in a sense for nothing but its belly.

    Opera production
  • Elegie für junge Liebende | © Judith Buss
    31.1.2024
    Elegy for young lovers 

    "What qualities must a person possess in order to dominate both dramaturgically and vocally in an opera?" and "What must a man of mature age look like who is in close relationships with a crazy old lady, a young girl and a doctor at the same time?"

    Opera production
  • Hänsel & Gretel | © Fabian Helmich
    15.12.2023
    Hansel and Gretel 

    With her production, Rosamund Gilmore embarked on a journey into the subconscious and combined the deep psychological layers of the fairy tale with the film-visualized works of Claudia Lehmann's students.

    Opera production
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Patricio Cueto Moron

Univ.-Ass.

Faculty
Regina Prasser
Regina Prasser

Senior Lecturer for Voice, Elocution / Rhetoric, Children & Youth Voice Education (Music Education)

Faculty
Curriculum Committee
Rebeka Stojkoska | © Christian Schneider
Rebeka Stojkoska

Lecturer for Lied arrangement / Female-Artist-in-Residence

Faculty
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