Musicology

Notenbuch

The Department of Musicology deals primarily with European music history from the Middle Ages to the present; additionally, courses are offered in musical analysis, European folk music and non-European music, as well as cultural studies questions about music.

The research fields of the department lie predominantly in the history of music from the 18th to the 20th century: analytical and interpretative aspects, changes in reception over the years, philology, and cultural, sociological and aesthetic questions are all examined. Further areas for study include popular music, baroque music, Viennese classical music and new music of the 20th century.

Other focal points of research are folk music of the alpine region and questions about music as a cultural phenomenon. Numerous interdepartmental projects as well as cooperation with national and international partners provide space for the exploration of a wide range of topics: questions of reception, treatises on composers, forms of cultural perception (European and American music in comparison) and much more. 

In the field of teaching, the Department of Musicology offers a PhD programme as well as musicological courses for students of all music degrees Mozarteum and preparatory courses for academic practice. The teaching staff at the department supervise numerous academic theses (BA, MA, PhD) and cooperate on different levels with the artistic and pedagogical departments in order to emphasise the relevance of musicological competences for interpretation in the vocal, instrumental and conducting fields as well as for music pedagogy.

Courses

News

  • © Yvonne Wasserloos & Adobe Express
    4.3.2025
    Call for Contributions: BioSphere – TechnoSphere 

    Music and Sound Beyond the Human: This conference aims to contribute to this ongoing development, and to put special emphasis on the ethical and political dimensions that come into play in regard of other-than-human creativity and aesthetics. Submissions from all musicological (sub-)disciplines are welcome, as well as from the music-related domains in neighboring scholarly and scientific disciplines and in interdisciplinary fields like human-animal studies, critical animal studies, critical plant studies, multispecies ethnography, and AI music studies.

    Open Call
  • Mario Kostal, Martin Schneider , | © BMBWF/Fotografie Sabine Klimpt/Lichtblick KG
    26.11.2024

    Martin Schneider (graduate baroque violin / baroque viola with Mayumi Hirasaki, master's degree in historical performance practice with Reinhard Goebel) was awarded the Austrian Federal Ministry of Education, Science and Research's appreciation prize on 21 November 2024 in Vienna.

    Awards & Successes
  • Illustration einer Trompete
    13.3.2024

    Democracy" is associated with numerous values such as freedom, justice and humanism, which must be constantly renegotiated. It is understood as a form of rule, society and life and is differentiated accordingly in terms of time, culture and state. Democracy can be symbolically demanded or consolidated through musical performances, because music is a possible practice for shaping, accompanying or commenting on the negotiation process of what is understood by "democracy".

    Open Call

Events

Publications

Nothing benefits the state like music. The musical performance of the state
Interdisciplinary
Musicology
Writings on the history of political music
Interdisciplinary
Musicology

People

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Kai Bachmann | © Christian Schneider
Kai Bachmann

Ass.-Prof. for applied music theory, Ass.-Prof. for fine level listening & supervision of scientific work, Staff member for evaluation

Faculty
Employee
Sarah Haslinger | © Elsa Okazaki
Sarah Haslinger

Senior Scientist for Salzburg Music History / Employee in the Department for Quality Management & Development Planning

Faculty
Employee
BR 1
AKG
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