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You choose the material on the test field. And then the playing begins. How does your new body feel? What does it tempt you to do? You are not alone on this exploration, the others must also find themselves in their foreign bodies. A series of recordings accompany you on this journey in an attempt to create an environment that enables collective thinking and relationships, to rethink how we are together and what we learn from each other.

In cooperation between the Mozarteum University and the Andreas Hofer Society, the newly reconstructed collection of works by the former Salzburg court conductor Andreas Hofer ‘ver sacrum seu flores musici’ was performed on both sides of the border between Germany and Austria in 2021.

Diploma production by Paulo Jamil Sieweck

Diploma Production by Till Ernecke

FAiR stands for Female Artist in Residence and is a funding programme for young female artists on their way to becoming university professors. It was recently launched at the Mozarteum University and is committed to greater fairness and equal opportunities in the professional lives of women at music and art universities.

The next World Expo will take place in Osaka from 13 April to 13 October 2025. The ambitious motto points to the future and should be at the centre of a project involving a trip (max. one week), a trip to Osaka for EXPO 2025. Interdisciplinary tandems from the university location Salzburg are cordially invited to develop project ideas and apply for the travel grant.

The Mozarteum University congratulates its alumna Alexandra Karastoyanova-Hermentin on receiving the Grand Art Prize of the State of Salzburg 2024! With this award, which is being presented to a female composer for the first time this year, the State of Salzburg is sending a strong signal in favour of the importance and creativity of women in music. The Grand Art Prize is endowed with 20,000 euros and is awarded annually alternately in the fields of visual arts, literature, music and performing arts.

Thesis - XYRA is a spatial design inspired by Phaedra's Love by author Sarah Kane. It explores themes of abstraction, surrealism, isolation, emotional intensity and existential reflection. Through the use of abstract spaces, the project creates dynamic and evolving atmospheres that invite viewers to question their perceptions and explore new dimensions of thought.

In autumn 2024, bass-baritone Lisandro Abadie, actress Hanna Binder, conductor Christiane Büttig, visual artist Annette Fauvel, guitarists Giuseppe Feola and Bozhana Pavlova, cultural and media scientist Paul Feigelfeld, composer Laure M. Hiendl, pianist Lei Meng, soprano Allison Oakes and violist German Tcakulov will take up their positions as university professors at the Mozarteum University. We are looking forward to the collaboration!

As part of the Moz-Art-Zone, we link special events for school classes to the broad spectrum of university programmes and thus want to give children and young people access to music, art and culture. The focus is on young people meeting (young) artists who offer an insight into the artistic work of the various departments at the Mozarteum University. The Moz-Art-Zone offers a colourful mix of activities, from a visit to the opera with an artist talk and theatre laboratory to special educational concerts and hands-on workshops in the graphics workshop.

The ASEAN-European Academic University Network (ASEA-UNINET) was founded in 1994 and is currently made up of over 80 universities in around 20 countries. The aim of the university network is to promote research and teaching activities between the member universities in Europe and Southeast Asia (in Indonesia, Cambodia, Laos, Malaysia, Myanmar, Pakistan, the Philippines, Thailand and Vietnam).

Judith Valerie Engel is an Austrian pianist, musicologist & feminist. After years of study in Salzburg, Helsinki and Vancouver, she is currently completing a PhD in Historical Musicology at Oxford University. She is a recipient of the Stone-Mallabar Doctoral Scholarship awarded by Oxford College Christ Church. She is also one of the ‘Public Scholars’ in the Public Scholars Initiative of the University of British Columbia. Both academically and artistically, her focus is on historical and contemporary women composers.