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  • OUBLIEZ
    30.9.2022
    OUBLIEZ - Whom we forget 

    How do we change perspectives when things and people become strangers to us? The performance OUBLIEZ - WHO(N) WE FORGET focuses on the 'in-between spaces' where communication takes place - between those affected, care staff and relatives - and tries to capture what happens to people who "disappear without being lost".

    Student project
  • #FaceYourMozart | © Mozarteumorchester Salzburg / Erika Mayer
    15.9.2022

    #FaceYourMozart is intended as a stimulus to actively engage with Mozart's music, to hear sensations and human interaction from the music, and to translate these into pantomime or scenic action with the help of a Mozart silhouette (as a tool) derived from the logo of the Mozarteum Orchestra.

    Spot On MozART
  • Logo mit blauem Quadrat, Schriftzug Wissenstransfer West | © Wissenstransfer West
    1.9.2022
    From STEM to STEAM 

    Building on the experience of the two previous funding periods, in which most partner organisations were already involved, transfer formats in the STEAM area are being developed for the target groups of employees at the knowledge and technology transfer interfaces, researchers, students, graduates and stakeholders in the (creative) economy. The aim here is to build bridges between STEM disciplines and the artistic-creative sector.

    Research project
  • Auf der Bühne zwei Absolvent*innen mit Auszeichnung in den Händen, daneben Rektorin und Vizerektor | © Michael Ratz
    1.9.2022
    Award for Excellent Master Theses 2020/21 

    Awards for excellent master theses 2020/2021 Since the academic year 2016/2017, the Mozarteum University has been awarding the "Prize for excellent master theses". This award recognizes outstanding theses of graduates who dedicate themselves to their chosen topics in an innovative, original, unusual or particularly sustainable way. The winners of the excellent master theses 2020/2021 are: Caroline Fritz (MA IGP Guitar - Classical): "Slavko Avsenik und seine Original Oberkrainer: Untersuchung von Herkunft und Einflüsse mit der Analyse ausgewählter Beispiele" (scientific work, supervisor: Franz Zaunschirm) Pavle Krstic (MA Piano Soloist Training - Concert): "Analyse als Mittel der Interpretation der Préludes op.28 von Chopin" (scientific work, supervisor: Barbara Dobretsberger) We congratulate you!

    Awards & Successes