Illustration einer Trompete

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  • Chorkonzert | © Sam Beklik
    22.6.2021

    On 25 and 26 June 2021, the SZENE Salzburg will be the setting for one of the most popular choral works of the 20th century: Carl Orff's "Carmina Burana".

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  • Gruppenfoto zur Kooperationsvertragsunterzeichnung | © Land Tirol / Pichler
    14.5.2021
    Additional study programs in Innsbruck in cooperation with the province of Tyrol 

    For 15 years, the Mozarteum University has been cooperating with the Tyrolean State Conservatory in the field of music school teacher training. In 2021/22, the offer in Innsbruck will be expanded to include the study profile "Jazz/Pop" in the Bachelor's program IGP and the Master's program "Making Music in Diversity Contexts".

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  • © Johannes Aizetmüller/ fancy tree films
    21.1.2021

    Grenzklang is a project based in Tyrol and unique in the entire German-speaking region, which on the one hand offers children of Persian origin an opportunity to promote singing and music-making, while at the same time enabling a connection to their culture and being open to children of all nationalities as well as music of pluralistic cultures. On the other hand, Grenzklang is a practical training programme for future music teachers. This joint intercultural learning envisaged in the project ideally leads to an attitude of all participants, which is the basis for social progress and enables teaching and learning in diversity, equality and democracy. It thus functions as a model for further (music) pedagogical and intercultural offers. Synergy is an essential feature and Grenzklang contributes to strengthening the cultural identity of all participants.

    Research project
  • Illustration eines Auges
    1.10.2012
    Individual ↔ Collectivum 

    Students of the 7A class of the BORG-Nonntal will create a music-theatrical performance of the improvisational-experimental score Individuum↔Collectivum (1979) by the composer Vinko Globokar. How can experimental-improvisational artistic interactions be described as aesthetic and social phenomena? Which methods prove to be particularly suitable for this purpose and what conclusions can be drawn in order to specifically promote aesthetic competences in music lessons?

    Research project