+++ Study information days in January at the Departments for Music Education Salzburg, at the Orff Institute and for Choral Conducting - all information here! +++
Personal ambition, egomania and sexuality as an instrument of power: Claudio Monteverdi's (1567-1643) "L'incoronazione di Poppea" is as topical as ever, even 380 years after it was written. A conversation with Gernot Sahler, the musical director of the opera production.
The International Summer Academy of the Mozarteum University starts anew and expands with ARCO - Art, Research and Creation Opus and the Summer Academy Baroque (in Siena). The program connects teachers, students and musicians from all over the world in Salzburg and establishes cultural connections across Europe.
With the project "With Dylan On The Road" the Mozarteum University together with The International Society of Mozarteum University Salzburg offers students the unique opportunity to go on a journey with a scholarship in their luggage to develop art projects inspired by Bob Dylan.
Raimonda Žiūkaitė's opera composition "Salt is My Heritage" was chosen as the Work of the Year in the category of stage works by the Composers' Union of Lithuania. The work was performed by Lidia Luciano (soprano), students of the Mozarteum University and the œnm under the direction of Félix Marest. The premiere took place on October 28, 2021, as part of the Crossroads Festival. It was directed by Giulia Giammona and the libretto was written by Franz Jäger.
There was a lot of discussion, ideas were developed and new networks were formed: the Spot On MozART Workshop Days 2022 took place on May 6 and 7 at the Zistelalm on the Gaisberg and were dedicated to the topics of innovation, visualization, research and the Spot On Moment based on Mozart's music. We were there for you and accompanied the participants.
Five finalists competed for the coveted 20,000 euro The Sir Ian Stoutzker Prize 2022 (made up from 2021) at the Solitaire of the Mozarteum University yesterday (14 April). The evening's double winner was pianist Robert Bily, who enchanted both the high-calibre jury and the audience with a breathtaking interpretation of Ludwig van Beethoven's Waldstein Sonata (Piano Sonata No. 21 in C major op. 53), Claude Debussy's Images I and Siegfried Thiele's Perpetuum Mobile.
Gertrud Fischbacher and her cooperation partner Marius Schebella (FH Salzburg) were awarded with the project "Nexus of Textile and Sound" at the annual funding program of the FWF for the development and opening up of the arts (PEEK)! They won the Research Competition Mozarteum (RCM) at the end of 2019, the PEEK application, which is based on intensive local cooperation with the FH Salzburg, is a further development of the RCM project.
On March 10, 2022, project participants and interested parties met at the Spot On MozART Lounge in the Small Studio of the Mozarteum University. A cozy "come together" with films and an exhibition on the current Spot On MozART projects. We accompanied the event for you.
30 years of folk music studies and study programs at the University Mozarteum: Together with the Lucerne School of Music, teachers and students of the University Mozarteum go on a search for traces between yodel and yodel, tradition and new trends.
In the anniversary year "100 Years of the International Society for New Music (IGNM)", a diverse program reflects on its role as a major peace project after World War 1, on Salzburg's role as an international city in the interwar period, and on New Music's timeless claim to (re)learn how to listen.
Our students Vivi Vassileva and Richard Putz are the winners of this year's Prix Iannis Xenakis. The prize, established by the Schleswig-Holstein Musik Festival in cooperation with the percussion class on the initiative of Martin Grubinger, promotes young percussion soloists and is intended to pave the way to the major concert halls and international music festivals. The participants had to conceive an extensive solo recital concert and present it in front of a 6-person jury.
A portrait of the legendary composer Helmut Lachenmann and a conversation with Johannes Maria Staud about the planned Helmut Lachenmann Days at the Mozarteum University.
Laure M. Hiendl has been an assistant professor* of composition at the Mozarteum University since 2021, and her new piece is a harbinger of a festival to be held in Nuremberg in July 2022.
The latest volume in the publication series "klang-reden" by the Institute for the History of Musical Reception and Interpretation is a plea for empirical repertoire research - and opens up new perspectives on Mozart.
