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International Summer Academy

Overview

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Every year, the International Summer Academy welcomes musicians from all over the world to the Mozarteum University Salzburg. Founded in 1916 by Lilli Lehmann, the Summer Academy now offers masterclasses with outstanding teachers from the Mozarteum University as well as internationally renowned artists. The diverse programme offers space for intercultural encounters and musical fine-tuning.

Artistic Director
Vice Rector o. Univ.-Prof. Mag. Hannfried Lucke

Advisor to the artistic director
Helena Mayer

Contact for students & registration
summer.academy@moz.ac.at

Contact for lecturers & events
Helena Mayer
Advisor to the artistic director
+43 676 88122 365
helena.mayer@moz.ac.at

Mirabellplatz 1
5020 Salzburg

Registration 2025
1^st February - 1^st April 2025

Course dates 2025
14^th July - 9^th August 2025

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News

14.8.2024

International Summer Academy selects 12 award winners

Last Saturday, after four intensive weeks under the artistic direction of Hannfried Lucke, the International Summer Academy 2024 came to a very successful end with 55 masterclasses, 13 additional courses and 66 concerts. 550 participants from 53 nations (average age 21) were guests in Salzburg. Twelve up-and-coming artists were honoured and each received 1,000 euros in prize money donated by the City of Salzburg's Cultural Fund.

News
31.7.2024

„Composer for all seasons“: In memoriam Wolfgang Rihm

In memoriam
26.6.2024

Academy Summer at Mozarteum University

Masterclasses, concerts, operettas, contemporary composition and much more between Salzburg, Bad Ischl and Siena: an exciting academy summer awaits at the Mozarteum University!

Press release
27.6.2024

In memoriam Norman Shetler

In memoriam
22.4.2024

Robert Levin starts teaching at the Mozarteum University

As part of the International Summer Academy and numerous masterclasses, the renowned American pianist, teacher, Mozart researcher and Harvard professor Robert Levin has been a regular guest at the Mozarteum University for many years. From May, he will take up his teaching position at the Department of Keyboard Instruments. We are very much looking forward to it!

News
19.12.2023

Save the date: International Summer Academy 2024

4 course periods. 13 additional courses. 60 masterclasses. 61 lecturers. Over 500 participants from all over the world: browse the programme of the International Summer Academy 2024 now!

News
21.8.2023

International Summer Academy selects 12 award winners

After four intensive weeks with 520 participants from 51 nations, 51 master classes and 16 additional courses with a focus on musicians' health as well as around 60 public events, the International Summer Academy 2023 came to an end last week with much positive feedback. Twelve young artists were also awarded prizes of 1,000 euros each, sponsored by the Cultural Fund of the City of Salzburg.

News
4.7.2023

International Summer Academy starts with a fresh concept

Intensive one-week master classes with 53 renowned, top-class artists and teachers from the Mozarteum University and the international music industry, numerous public concerts and a colorful supporting program: from July 17 to August 12, the International Summer Academy will once again open its doors. It has evolved visually, but above all in terms of content.

News
18.4.2023

International Summer Academy 2023: Application deadline extended until 1 May

Until 1 May, interested musicians from all over the world can register for this year's International Summer Academy, which has a new look and arouses anticipation for the summer. The visual change goes hand in hand with a further development of the content.

News
12.8.2022

Summer Academy enters the finale with a concert of the prize winners

Press release
20.8.2019

Laureates' Concert International Summer Academy 2019

Press release

Faculty 2025

Course Period 1: 14^th - 19^th July

John Thomasson, baritone
Mario Diaz, tenor

Course Period 2: 21^st - 26^th July

Christoph Strehl, tenor & Pauliina Tukiainen, piano - Voice & Lied Interpretation

Course Period 3: 28^th July - 2^nd August

Andreas Schmidt, baritone
Zheng Zhou, bassbaritone

Course Period 4: 4^th - 9^th August

Christian Immler, bass-baritone & Andreas Frese, piano - Lied Interpretation & Oratorio
Zoryana Kushpler, mezzo-soprano

Course Period 1: 14^th - 19^th July

Course Period 2: 21^st - 26^th July

Course Period 3: 28.7.-2.8.

Course Period 4: 4^th - 9^th August

Course Period 1: 14^th - 19^th July

Course Period 2: 21^st -26^th July

Course Period 3: 28^th July - 2^nd August

Zakhar Bron
Mauro Iurato
Silvia Marcovici
Michael Vaiman
Michaela Girardi - Young Excellence

Course Period 4: 4^th - 9^th August

Course Period 1: 14^th - 19^th July

William Coleman

Course Period 2: 21^st - 26^th July

German Tcakulov

Course Period 1: 14^th - 19^th July

Valentin Radutiu

Course Period 2: 21^st - 26^th July

Konstantin Zelenin

Course Period 4: 4^th - 9^th August

Giovanni Gnocchi

Course Period 3: 28^th July - 2^nd August

Britta Bauer - Flute

Course Period 4: 4^th - 9^th August

Dimitri Ashkenazy - Clarinet

Course Period 1: 14^th - 19^th July

Martin Grubinger & Arnold Marinissen

Course Period 2: 21st- 26th July & Course Period 3: 28^th July - 2^nd August

Moritz Bergfeld

Successfully shaping professional music productions (Participation from 12 years of age)

In short seminar blocks, participants will be introduced to the various aspects of professional recording techniques. This theoretical part of the course will cover acoustic, technical, and artistic challenges in music production and ways to handle them with confidence. Taking part in this seminar block is crucial for for participants who want to succeed in the practical sessions and get the most out of their experience.

In the practical block, participants will learn to navigate the recording studio during individual sessions and develop strategies to optimally showcase their artistic vision and technical skills.

In the theory block, the following topics will be covered:

Basics of room acoustics, microphone techniques and music editing
Insights into artistic direction and sound mixing
Organisational, legal and aesthetic questions in everyday music production
The impact of music production on the history of classical music interpretation, the concept of virtuosity and the self-image of the performing artist

In the practical block, we will provide individual coaching on:

Playing and singing for the microphone, how to handle various microphone types and setups
Developing a musically independent and creative approach to the recording situation
Spontaneity, virtuosity and perfection in communicating with the audience via the microphone
Confidence in partnering with sound engineers and producers

Course Period 1: 14^th - 19^th July & Course Period 3: 28^th July - 2^nd August

Bettina Drachgschwandtner

Craniofacial and Orofacial Dysfunctions (CMD & OFD)
The functionality of the jaw, neck, and shoulders is of paramount importance for musicians who want to practise their art sustainably and without physical limitations. A lack of sufficient coordination between these muscular systems can lead not only to tension and pain, but also the impairment of musicality and technique. Addressing these physiological aspects is therefore crucial for optimising performance over the long term and preventing health problems.

This course provides a comprehensive introduction to Craniofacial Dysfunctions (CMD) and Orofacial Dysfunctions (OFD), which describe disorders in the facial, jaw, and mouth areas. Both conditions affect the interaction between the teeth, jaw joint, masticatory muscles and surrounding structures.

CMD specifically refers to issues with the jaw joint and masticatory muscles, which can cause pain, tension, and dysfunctions in the jaw area. Common symptoms include jaw pain, jaw clicking, difficulty chewing, teeth grinding and headaches. These problems often arise from jaw misalignment, an imbalance in workload distribution when performing complex movements, or stress-induced muscle tension.

Orofacial Dysfunctions encompass a broader range of issues affecting both the jaw joints and muscles, connective tissue, the state of one's teeth and even the respiratory muscles. While OFD covers the same issues as CMD, it also includes difficulties in speaking, swallowing, chewing, and facial muscle coordination. People with orofacial dysfunctions often experience problems with the muscles and joints involved in the functions of the mouth and face.

These dysfunctions can be triggered by factors such as poor posture, emotional stress, dental prosthetics, accidents, or genetic predispositions. If left untreated, they can significantly affect quality of life and lead to chronic pain, tension, and functional limitations.

The approach offered by this course is a holistic one, including individual diagnosis and therapy. Alongside physical treatment of the jaw and muscles, psychological factors such as stress are also taken into consideration. Early intervention can help alleviate symptoms, improve mobility and enhance overall well-being.

every course period

Elisabeth Grain

The physical health and mental balance of a musician are crucial for technical mastery and maximum enjoyment when performing. Many performers find that, unless they take an holistic approach to bodywork and mental strength, their artistic expression is restricted by tension, muscular overuse and subconscious blockages.

This course focuses on a combination of physiotherapeutic methods, targeted bodywork and mental techniques to promote a healthy, efficient, and relaxed playing style. Not only are physical movements optimised, but mental strategies are also employed to boost motivation and stabilise well-being, thus ensuring a sustainable and healthy musical practice.

Course Content:

Movement Analysis and Optimisation
A detailed analysis and optimisation of movement patterns enables a healthy and fluid playing technique. Bodywork that incorporates the instrument promotes precise and efficient execution of movements.
Health of the Upper Extremities
The course places special emphasis on the healthy use of fingers and wrists. Targeted whole-body work prevents excessive strain being placed on the upper extremities.
Physical and Physiotherapeutic Approaches
Integrating physiotherapeutic exercises supports health and promotes physical stability. The use of aids such as cushions, balance boards and mats helps improve body awareness and movement coordination.
Breathing Techniques
Breathing exercises are used to support movement patterns, relax muscles and coordinate the body. They help develop controlled, deep breathing, which enhances playing enjoyment.
Mental Techniques
Mental exercises foster motivation and inspiration. Techniques to strengthen self-confidence and create motivation anchors help participants reach their goals, even in low-motivation phases.

Course Methods:

Full-body work with a focus on movement analysis
Balance exercises and specific body techniques for improving body awareness
Physiotherapeutic support to optimise physical effiency
Mental techniques to foster motivation and inspiration

Objectives:

Optimisation of movement patterns for a healthy and efficient playing technique
Encouragement of free, flexible movement without restrictions caused by incorrect technique
Focus on the health of the upper extremities (especially fingers and wrists)
Enhancement of body use for a free sound and harmonious movement flow

This course provides a balanced combination of physical and mental work, creating the foundation for a sustainable and healthy playing technique.

15^th July: Presentation, Workshop & Individual Consultations

16^th July: Additional String Consultations

Mag. Attila Pasztor (Product Manager, Cellist), Stojan Jovanovic (Product Manager, Violinist)

In this free event, participants will learn everything they need to know about selecting the right strings for their instrument. The presentation will delve into the various materials and methods used in the production of strings and how these influence the sound of an instrument. Special attention will be given to string tension and balance, which both play a significant role in optimising the sound and adapting it to the musician’s needs.

The product managers from Thomastik-Infeld, Attila Pasztor and Stojan Jovanovic, will guide the participants through the world of string manufacturing. They will explain how different string constructions and tensions influence sound and demonstrate how choosing the right strings can solve common issues such as wolf notes, squeaky E-strings, poor response and insufficient volume. Visuals such as images and videos will be used to illustrate the influence of materials and constructions.

In the workshop that follows, the two experts will demonstrate how changing just one string can significantly modify the sound of an instrument. They will also provide practical tips for selecting the best strings and combinations for each participant's personal needs.

The event will conclude with individual string consultations, where Thomastik-Infeld provides free test strings. Participants will have the opportunity to experiment with various strings and combinations under the expert guidance of Pasztor and Jovanovic to find the perfect fit for their instrument and playing style.

What’s Included:

Presentation on string production and its impact on sound
Workshop on practical application and sound improvement through string selection
Free string tests and personalised string consultation

This event is an excellent opportunity for musicians to learn about the crucial impact of strings on their instrument’s sound and receive personalised recommendations.

Course Period 1: Thursday 17^th & Friday 18^th July

Course Period 2: Wednesday 23^rd & Thursday 24^th July

Course Period 4: Wednesday 6^th & Thursday 7^th August

Prof. Dr. Jürg Kesselring

Prof. Dr. Jürg Kesselring is a renowned neurologist and passionate musician who worked for over 30 years as the chief physician for neurology and rehabilitation at the Valens Rehab Centre. In addition to his medical career, he is an active cellist and has published numerous books and articles.

At the Mozarteum Summer Academy, participants will have a unique opportunity to gain deep insights into the fascinating connection between music and the brain. In his lecture "Music & the Brain", Prof. Kesselring will explore the neurological processes that occur while making music and show how these processes influence learning, creativity and emotional expression.

Prof. Kesselring will not only convey theoretical aspects but also share practical insights that are invaluable for musicians. His expertise allows him to explain complex neurological connections in an understandable way and demonstrate their relevance for musical practice.

This event offers a rare chance to learn from an expert who combines both the medical and musical perspective. Participants will deepen their understanding of the neurological foundations of music-making and gain concrete approaches for optimising their own musical practice through a better understanding of the brain.

Take the opportunity to learn from Prof. Kesselring how to unlock your musical potential by understanding the neurological processes involved. His passion for music and science will inspire you and open new perspectives on your own musical practice.

Course Period 2: 21^st - 26^th July & Course Period 3: 28^th July - 2^nd August

Moritz Bergfeld

Playing for the Microphone (Participation from 8 years of age) – 2-hour Workshop
Together, we will explore the space and technology of a professional classical music studio. We will discover the different equipment and its uses. Along with the sound engineer, we will set up microphones for a personal recording in a concert hall. We will find out how our playing sounds through the microphones and record a short piece to take home.

SOAK

Masterclasses 2025

Course Periods & Faculty

General information

The International Summer Academy is aimed at advanced students who are enrolled at universities or similar institutions and/or at musicians who are preparing for auditions/competitions. Our Young Excellence Programme is specifically designed for highly talented young musicians under the age of 16. In general, there is no age limit for an active participation.

In a total of four course periods, the International Summer Academy offers intensive one-week masterclasses with renowned lecturers and numerous additional workshops and talks. Enrolment in a masterclass includes:

4 private lessons of 45 minutes each
Passive participation in all masterclasses
2 free hours of practice time/day for active masterclass participants
3 free hours of practice time/day for participants in the piano masterclasses
Free admission to events and performance opportunities
Certificate

Registration Fee per person: € 120,–

Masterclasses

Course Fee: € 480,-
Course Fee "Sound Mastery": € 580,-
Duo (z.B. Piano duo oder Lied Duo): € 300,- p.P.

Additional Courses

Alexander Technique: € 190,- (3 x 60min private lesson)
Sound and Movement: € 170,- (2 x 45min private lesson)
Musician's Health and Ergonomics at the Instrument: € 170,- (2 x 45min individual teaching)
Musik & Gehirn: € 50,- (1 x 30min individual coaching)
Playing for the Microphone (Workshop): € 30,-
The Art of Choosing the Right String: free of charge

Registration begins on 1^st February and ends on 1^st April 2025. We ask for your understanding that late registration is not possible.

Documents required for registration:

To register, you must upload a video of a piece of your choice (best possible representation of your abilities, no compulsory repertoire).
Please list the repertoire you would like to cover in the masterclass in the field "Repertoire" in the online registration form.
Please note: Registration does guarantee a place in the masterclass!
Decisions about admission to masterclasses will be made by the relevant faculty members on the basis of the videos submitted.

Additional courses can also be booked via online registration.

There is a right of cancellation within 14 days of making the payment; in this case, the entire fee will be refunded. If the cancellation is made before 1^st April 2025, the course fee will be refunded. If the cancellation takes place after 1^st April 2025, the course fee can only be refunded in justified exceptional cases.

After the application deadline, the faculty members will review all applications and decide upon acceptance based on the videos provided.

We will inform you about your acceptance status as soon as possible via Email.

If you were not accepted into your desired masterclass, you have 3 options:

Re-book for a different masterclass (depending upon availability). We will suggest an alternative via Email.
Passive participation as a guest listener. The difference between masterclass course fee and listener pass will be reimbursed.
Cancel your booking. The entire course fee will reimbursed.

The course fee includes 3 hours/day for pianists. All other instrumentalists can practice 2 hours/day. More practice time is available for a small additional fee.

Accommodation is not included in the course fee. We kindly ask you to make your own accommodation arrangements. You can find a list of private options in the download area of the online registration page.

Please note: the student dorms in Salzburg will not be available in the summer of 2025.

The singer Lilli Lehmann began giving private singing courses in the rooms of the Mozarteum in the summer of 1916, thus establishing the beginning of the International Summer Academy at the Mozarteum University. In 1925 Willy Schweyda added a first violin course to the Academy, and in 1929, with the support of the American Julian Freedman, the Summer Academy was expanded to include courses in piano, composition, conducting and opera. From 1930 to 1937 the institution was run as the "Musical Summer Courses", from 1937 to 1940 as the "Mozarteum Summer Academy" for music, theatre and dance, and between 1940 and 1944 as the "Summer Academy for Foreigners at the Mozarteum". After 1945 it was reorganised by Bernhard Paumgartner, and since 1947 it has borne the present name "International Summer Academy Mozarteum University". It has been led by Bernhard Paumgartner, Eberhard Preussner, Heinz Scholz, Robert Wagner, Paul Schilhawsky, Rolf Liebermann, Peter Lang, Paul Roczek, Alexander Müllenbach, Reinhart von Gutzeit, Siegfried Mauser and Wolfgang Holzmair.

Since 2019, the International Summer Academy has been directed by Hannfried Lucke.

Application Guidelines

We would like to express our thanks to those whose support, in the form of scholarships, enables numerous students to participate in the International Summer Academy at the Mozarteum.