A seminar on the theatricality and performativity of places and spaces in WS22/23 at the Thomas Bernhard Institute dealt with the relevant theories and the history(s) of urban and rural living space development. A parcours led through eight temporary individual works on the topic.
Approaches to activating urban development were discussed and in-depth knowledge of artistic work with communities on site (Salzburg and the Alpine region) was acquired. This includes performative and installative urban projects that develop strategies of intervention, participation and co-determination and directly intervene in the perception of places, spaces and squares.
The students developed temporary individual works that visitors could walk through individually or in small groups. The project was part of the International Days .
Masterclasses, concerts, operettas, contemporary composition and much more between Salzburg, Bad Ischl and Siena: an exciting academy summer awaits at the Mozarteum University!
Nikita Buldyrski, actor and graduate of the Thomas Bernhard Institute, is honoured with the prestigious Alfred Kerr Actor Award. The prize is awarded annually for an outstanding performance by a young actor in one of the ten productions at the Berlin Theatre Meeting. It is endowed with 5,000 euros in prize money and is awarded by the Alfred Kerr Foundation with the support of the Berliner Festspiele.
Sir John Falstaff is a natural phenomenon: his appearance is imposing, his demeanour commanding, his manner possessive. And most fascinating of all: the event does not care about rules, conventions or decorum, it simply exists for its own sake, in a sense for nothing but its belly.
On 15 May, Giuseppe Verdi's last opera Falstaff celebrates its premiere under the musical direction of Kai Röhrig and directed by Florentine Klepper. The two artists provide exciting insights into the production and its creation in a double interview.
Interview
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