Search

Studierender bei Mario Diaz

Tag der Inklusion und Diversität - mit Vorträgen, Diskussionsrunden, Konzert, Performances, Wokshops und Ausstellung

Zwei Frauen, zwei Legenden:Das Oratorium "Giuditta" von Alessandro Scarlatti (Libretto: Antonio Ottoboni) wird mit der Uraufführung der Kammeroper "Medusa" (Libretto: Elisabeth Gutjahr, Musik: Yann Robin) verwoben.

Zwei Frauen, zwei Legenden:Das Oratorium "Giuditta" von Alessandro Scarlatti (Libretto: Antonio Ottoboni) wird mit der Uraufführung der Kammeroper "Medusa" (Libretto: Elisabeth Gutjahr, Musik: Yann Robin) verwoben.

TheaterLabor X sees itself as a space for all theatre enthusiasts. The X marks the multiple intersections that arise when people meet under the sign of a common interest. Choreography is practised and tried out, as are writing, speaking, role-playing, games and thematic settings. Preferences are tak

TheaterLabor X sees itself as a space for all theatre enthusiasts. The X marks the multiple intersections that arise when people meet under the sign of a common interest. Choreography is practised and tried out, as are writing, speaking, role-playing, games and thematic settings. Preferences are tak

TheaterLabor X sees itself as a space for all theatre enthusiasts. The X marks the multiple intersections that arise when people meet under the sign of a common interest. Choreography is practised and tried out, as are writing, speaking, role-playing, games and thematic settings. Preferences are tak

TheaterLabor X sees itself as a space for all theatre enthusiasts. The X marks the multiple intersections that arise when people meet under the sign of a common interest. Choreography is practised and tried out, as are writing, speaking, role-playing, games and thematic settings. Preferences are tak

TheaterLabor X sees itself as a space for all theatre enthusiasts. The X marks the multiple intersections that arise when people meet under the sign of a common interest. Choreography is practised and tried out, as are writing, speaking, role-playing, games and thematic settings. Preferences are tak

TheaterLabor X sees itself as a space for all theatre enthusiasts. The X marks the multiple intersections that arise when people meet under the sign of a common interest. Choreography is practised and tried out, as are writing, speaking, role-playing, games and thematic settings. Preferences are tak

TheaterLabor X sees itself as a space for all theatre enthusiasts. The X marks the multiple intersections that arise when people meet under the sign of a common interest. Choreography is practised and tried out, as are writing, speaking, role-playing, games and thematic settings. Preferences are tak

TheaterLabor X sees itself as a space for all theatre enthusiasts. The X marks the multiple intersections that arise when people meet under the sign of a common interest. Choreography is practised and tried out, as are writing, speaking, role-playing, games and thematic settings. Preferences are tak

TheaterLabor X sees itself as a space for all theatre enthusiasts. The X marks the multiple intersections that arise when people meet under the sign of a common interest. Choreography is practised and tried out, as are writing, speaking, role-playing, games and thematic settings. Preferences are tak

Interaktive Ansätze zur Chorstück-Erarbeitung. Mit Johannes Antoni (Pädagogische Hochschule Karlsruhe)

Kooperationskonzert mit den Studierenden des Internationalen Masterstudiums Neue Musik (Salzburg - Dresden - Bern)

Die multimedialen Tanzperformance von Ruth Burmann befasst sich mit der Überwindung von Hindernissen und persönlichem Wachstum. Inspiriert von der Legende zweier Nomadenfrauen verwebt die Performance persönliche Geschichten mit universellen Themen wie Widerstandsfähigkeit und Stärke,