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(Mozarthaus St. Gilgen & Online) Anna Maria Mozart, who was born 302 years ago in the building of today's Mozarthaus St. Gilgen, actively and intensively supported the education of her children Maria Anna and Wolfgang by Leopold Mozart. But what made these children so successful?

The self in the other - the other in the self: How can we meet current challenges of intercultural and transcultural learning in a sensitive and differentiated way in the field of tension between the foreign and the familiar? The SOMA conference negotiates ways of culturally sensitive appropriation.

Exhibition on the topic of recycling & upcycling, repairing - contextualisation: circular economy, designed by students, clients of Lebenshilfe, pupils of BG Seekirchen, children and young people from the Verein Spektrum youth centre and the Salzburg population.

Raum 4006, Mirabellplatz 1 - Antoni Rayzhekov is a Bulgarian interdisciplinary artist working in the fields of music, performing arts and digital art. He designs and performs ‘instruments’ and uses the media as creative partners and often as protagonists and authors, utilising the audience as active participants and co-authors. By embedding the poetics and artistic intent of his compositions directly into a technological representation, he seeks to uncover and reveal hidden processes and entanglements, often bordering on unpredictable outcomes, allowing the artwork to unfold ‘here and now’.

Raum 4006, Mirabellplatz 1

Proximity needs rules and dialogue

Through the colourful world of sounds: from attending an orchestral concert from different perspectives to entertaining workshops, music workshops and sound labs to hands-on concerts, this day offers numerous approaches to music.

The exhibition "forty thousand" centres on the theme of native insects. Here, these often overlooked creatures are offered an artistic forum that emphasises their beauty and importance.

In the cellar of his house in Aigen, Gerhard Laber collects a wide variety of sound and resonance instruments. He gives an insight into his work and shows the special features of his collection of instruments, which range from the bizarre to the fantastic.

Chamber music of the classical percussion repertoire

The songwriters of the Thomas Bernhard Institute will present their new original compositions in a diverse performance of solo and full band arrangements with lyrics in German, English, and Ukrainian. 

Competition for students of instrumental classes for string and wind instruments