The Applied Theatre project digs for stories hidden in the Rainberg. By overlaying the different uses in different periods of time, contrasts but also commonalities become visible: "Dance until we die" examines how temporary communities function, according to which criteria they are created, which rules they are subject to.
Based on "Bernarda Alba's House," Federico García Lorca's drama that has been performed most frequently around the world to this day, the 4th year Drama and Directing class, under the direction of Anja Herden, will deal in "¡Los Bernarrrdá's!" with being trapped, hysteria, fear of life, and the longing for freedom as a primal human drive, and will tell of people who are both victims and accomplices of their own oppression.
The play deals with transgenerational remembering in the form of collected stories of the ((great-)grand-))parents and the confrontation with what they have experienced. The idea is to be able to influence future events by dealing with the past.
A historic moment: On October 12, the first eight Hungarian acting students received their graduation diplomas as part of the "Emergency Exit" cooperation program between Freeszfe Budapest and the University Mozarteum Salzburg!
You know who nobody wants to work with right now? With white old men. We've stepped out of comfort zones, questioned images of masculinity and dissected vulnerabilities, owned wide leather chairs, discussed talk shows, speech share, mansplaining, manspreading and clichés in them. And ... how do white old men actually smell? A collage-like scenic work about the attempt at a dialogue - Master's project from the Applied Theatre degree course.
"SPERRIG" revolves around questions of isolation in prisons, accessibility to the justice system, alternative forms of justice delivery and the rapprochement of victims and perpetrators of violence.
A woman and her istrument share their performative expolrations ans examine the possibilities of lament. What can they archieve, given that every sound refracts the sctructural suffering of an inhuman border regime? Do we find something like hope ans even resistance in musical action?
The students of the master's program Applied Theater at the Thomas Bernhard Institute, together with Ulrike Hatzer and Trace Müller, deal with Salzburg's "shadow stories" and with the forced labor camp in Maxglan/Leopoldskroner Moos in a participatory documentary theater project. Whether, when and why are painful pasts and shadow stories remembered?
MEGA:STAGE salzburg is a project of the Applied Theatre - artistic theatre practice & society programme, which illuminates the festival city of Salzburg from a new perspective and gives a new dimension to one of the original ideas of the festival, that of the "city as stage".
