dating.21 – discourses on love and forms of dating, Bielefeld: transcript 2007 Amadeus is upside down. Art and Public, Salzburg 2007 (urban potentials). concepts and actions. Rotterdam, Salzburg, Wroclaw, Budapest, Dresden, Berlin: Jovis 2007 What to do. Figures of protest - tactics of resistance, Salzburg: Müry Salzmann Verlag 2010 Before and after - Ruedi Arnold. Texts about making pictures, Weitra: Verlag der Provinz, 2013 Essays in anthologies, exhibition catalogs and magazines (selection) How the word brings movement with bodies in connection, in: VALIE EXPORT. a work show, ed. from the Edition Essl Collection 2005 Silent old places? Stages and Scenes in Salzburg's Old Town, and The Denied Autonomy. Festival or the dance of the arts in: Art in Salzburg, Salzburg: Pustet Verlag 2008, pp. 14-39, 126-147 What is given. Aesthetic actions as new configurations of the sensual, in: Cornelius Kolig, exhibition catalogue, ed. from the Edition Collection Essl 2009 Discarded? Notes on dealing with works of art from the time of National Socialism in the city of Salzburg, in: italics - yearbook 2011, pp. 62-73, revised: What can art do?, in: Josef Thorak. An artistic re-vision by Bernhard Gwiggner, Vienna: Edition Tandem 2016, pp. 63-80. Female artists in Salzburg: From the tolerated exception to a new self-understanding, in: Women in Salzburg. Between exclusion and participation, ed. by Christa Gürtler and Sabine Veits-Falk, publication series of the Salzburg City Archives 34, Salzburg 2012, pp. 76-105. Flashy outfits, extravagant poses, in: Dress Questions. Fashion and cultural studies, ed. by Christa Gürtler and Eva Hausbacher, Bielefeld: transcript 2015, pp. 157–176. Feminism as a challenge? Artists in Salzburg, in: Tell me about Salzburg. Companion volume to the Salzburg State Exhibition, annual publication of the Salzburg Museum, vol. 58/2, 2016, pp. 225-231. REMAKE Romanzo Criminale, in: Re-en-act. Annja Krautgasser, Vienna: ABO Verlag 2017 Lying, sitting, standing - erotic sensuality in the park, and: Un/desired works of art, controversial locations and opaque/transparent influence - conflicts over free sculptures, in: Salzburg - art in urban space 1945 to 1975 .A handbook, ed. by Gabi Wagner, publication of the Salzburg Museum, 2019, pp. 68 - 95.