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~ Welcome to CDP Sound Transformation ~

Main Index to CDP Documentation


CDP-LITE: by Task TRANSFORMATIONS: B – Pi TRANSFORMATIONS: Ps – T

Orientation

COLOUR
COMBINE
EDIT
LENGTH
REARRANGE
REDUCE
SPATIALISE
TIME
TUNE
UP/DOWN/GLISS

BLUR
COMBINE
DISTORT
ENVEL
EXTEND
FILTER
FOCUS
FORMANTS
GRAIN
HILITE
HOUSEKEEP
M-C TOOLKIT
MODIFY
MORPH
PITCH
PITCH INFO

PSOW
PVOC
R5OTHER
REPITCH
REVERB
SFEDIT
SNDINFO
SPECEDIT
SPECINFO
STRANGE
STRETCH
SUBMIX
SYNTH
SYSUTILS
TEXTURE

OTHER INDICES CHARTS GUIDES

Alphabetical Index
Button Access
Descriptive Index


Tabula Vigilans
Csound Utils
Release 3 Brassage
Release 3 Sausage
Release 3 Wedge

CDP File Formats & Codes
Equivalent Pitch Notations
Texture Note Data Files
Transposition Ratios
Gain-dB Correlations
Repitch Inputs & Outputs
Function Abbreviations

Audible Design <–> CDP
Guide to Emacs
R3 –> R4 Name Changes
Release 4 Guide
Troubleshooting Guide

GRAPHIC TUTORIAL TECHNICAL

SoundShaper Reference (PC)
Sound Loom Reference (PC/Mac)
GrainMill Reference (PC)
Brkedit Reference (PC)

List with Descriptions


CDP in 12-Steps
CDPtour – R Fraser


Mastering the CDP System I
Using MSDOS
Keyhole View of CDP
On Using CDP
Using the EMACS Editor


Extend Drunk Tutorial
A GrainMill Tutorial
A Big One
GrainMill Examples
Csound, Getting Started I
Csound,Getting Started II
Csound, Getting Started III

Glossary of Musical Terms


Glossary of Technical Terms


The Operation of
the Phase Vocoder


Intro to Sound Design


Sound Transformations in
Electroacoustic Music

Last updated: 15 June 2008